תהליך הלמידה האותנטי כולל כאב, לא משום שהמורה רוצה לגרום סבל, אלא משום שהיציאה מאשליה אל הכרה לעולם מלווה בקושי.

28 באפריל 2026

The Challenges of Dialogic Teaching through Graphic Novels About the Holocaust

 

By Arie Kizel

 

 Holocaust memory in Israel has been undergoing a profound process of transformation in recent years. As the number of survivors among us dwindles, memory shifts from "living testimony" to "cultural memory" mediated by artistic and educational tools. Within this context, two central approaches have come to occupy a place of prominence across the educational world: dialogic teaching and the use of graphic novels. These tools are not merely illustrative aids, but bridges that enable the younger generation to embrace memory not as a historical burden, but as a living and relevant part of their identity — particularly in the shadow of the national trauma of the events of October 7th.

The Power of Dialogue: From Passive Learning to Active Encounter

Dialogic teaching does not content itself with conveying dry facts or numbers. It is grounded in the premise that the most meaningful learning occurs in the space between teacher and student, and among students themselves. Rather than a frontal lecture on "what happened," the teacher becomes a facilitator who provokes ethical, emotional, and existential questions.

Dialogue enables students to process the horror also through the prism of philosophical and values-based discussion:

  • Identification and compassion: Instead of focusing solely on death, the focus shifts to the human choices made within the inferno.
  • Critical thinking: The capacity to ask hard questions about human nature and social responsibility.
  • Personal connection: Creating a space in which the student can bring their inner world into the historical narrative.

The Graphic Novel: Words and Graphic Expression in Encounter with Trauma

The use of graphic novels (such as Maus: A Survivor's Tale, Anne Frank: The Graphic Diary, and others) has the potential to bring about significant change in Holocaust education and, in its wake, the teaching of its particular and universal lessons. The combination of text and visual image creates a multi-sensory experience well suited to the digital generation, yet its power runs far deeper:

  1. Humanization of the narrative: Illustration enables faces and bodies to be given to the personal story, transforming victims from numbers into human beings capable of expression and emotion.
  2. Representation of the unrepresentable: At times, a symbolic illustration can convey the horror or the dissociated feeling of trauma in ways that realistic photography or dry text cannot.
  3. Bridging generational gaps: Visual language is often more accessible and less threatening, enabling a "soft entry" into the most difficult subject matter.

In order to enable the teaching of charged subjects such as the Holocaust through graphic novels, teachers must undergo appropriate training. The graphic text bears no resemblance to an ordinary textbook; it is multi-layered and complex in its decoding. In addition, teachers in Israel who have not undergone training erroneously believe that graphic novels are suited to teaching at a young age (to keep atrocity images at a distance) and are not appropriate for adolescents. Appropriate training allows teachers to specialize in teaching all age groups through these visual texts.

Holocaust Memory in the Shadow of October 7th

The events of October 7th 2023, posed an unprecedented challenge to Holocaust memory in Israel. For the first time since the founding of the state, the Israeli public was exposed — on a vast and concentrated scale — to scenes of massacre and pogrom within its own home, evoking direct collective associations with the days of the Holocaust.

In this new reality, dialogic teaching and graphic novels have a critical role to play:

  • The possibility of processing present trauma: Classroom dialogue enables students to distinguish between past and present, while legitimizing shared pain. This is a space in which concepts of "helplessness" versus "heroism" can be discussed without falling into the trap of simplistic historical comparisons.
  • The resilience inherent in story: Graphic novels, which often deal with survival and rebuilding after destruction, serve as a model of hope. They can show that even from the greatest rupture it is possible to grow, to create, and to tell a story.

 

Passing the Torch

The combination of open and containing discourse with contemporary visual media has the potential to transform Holocaust memory from a subject studied for an exam into a moral compass. Especially now, as Israeli society contends with its own bleeding wounds, these tools enable us to remember the past not only in order to mourn it, but to draw from it the strength to build a more moral and resilient future. Holocaust memory is not static; it is an ongoing dialogue between what was, and who we choose to be today. The great challenge is to transform Holocaust education — through a range of dialogic means such as graphic novels — into a shared endeavor for communities of Jews and Arabs, Zionists and Palestinians, and additional populations within Israeli society, around the universal lessons of the Holocaust.

 

13 באפריל 2026

אתגרי ההוראה הדיאלוגית באמצעות רומנים גרפיים אודות השואה

 

מאת פרופ' אריה קיזל

פורסם בדף הבית של אתר אוניברסיטת חיפה

 

זיכרון השואה בישראל עובר בשנים האחרונות תהליך עמוק של שינוי. ככל שמתמעטים השורדים שבינינו, הופך הזיכרון מ"עדות חיה" ל"זיכרון תרבותי" המתווך על ידי כלים אמנותיים וחינוכיים. בתוך כך, שתי גישות מרכזיות תופסות מקום של כבוד ברחבי העולם החינוכי: ההוראה הדיאלוגית ושימוש ברומנים גרפיים. כלים אלו אינם רק אמצעי המחשה, אלא גשרים המאפשרים לדור הצעיר לאמץ את הזיכרון לא כנטל היסטורי, אלא כחלק חי ורלוונטי מזהותו, במיוחד בצל הטראומה הלאומית של אירועי השבעה באוקטובר.

 

הכוח שבדיאלוג: מלמידה פסיבית למפגש פעיל

הוראה דיאלוגית אינה מסתפקת בהעברת עובדות יבשות או מספרים. היא מבוססת על ההנחה שהלמידה המשמעותית ביותר מתרחשת במרחב שבין המורה לתלמיד ובין התלמידים לבין עצמם. במקום הרצאה פרונטלית על "מה קרה", המורה הופך למנחה שמעורר שאלות אתיות, רגשיות וקיומיות.

הדיאלוג מאפשר לתלמידים לעבד את הזוועה גם דרך פריזמה של דיון פילוסופי וערכי:

  • הזדהות וחמלה: במקום להתמקד רק במוות, מתמקדים בבחירות האנושיות בתוך הגיהינום.
  • ביקורתיות:  היכולת לשאול שאלות קשות על טבע האדם ועל אחריות חברתית.
  • חיבור אישי: יצירת מרחב שבו התלמיד יכול להביא את עולמו הפנימי אל תוך הנרטיב ההיסטורי.

 

הרומן הגרפי: מילים וביטויים גרפיים במפגש עם הטראומה

השימוש ברומנים גרפיים (כמו "מאוס: סיפורו של ניצול", "אנה פרנק: היומן הגרפי" ועוד) עשוי לחולל שינוי חשוב בהוראת השואה ובעקבותיו לימוד לקחיה הפרטיקולריים והאוניברסליים. השילוב בין טקסט לדימוי חזותי יוצר חוויה רב-חושית שמתאימה מאוד לדור הדיגיטלי, אך כוחו עמוק בהרבה:

  1. האנשה של הנרטיב: האיור מאפשר לתת פנים וגוף לסיפור האישי, מה שהופך את הקורבנות ממספרים לבני אדם בעלי הבעה ורגש.
  2. ייצוג הבלתי ניתן לייצוג: לעיתים, איור סמלי יכול להעביר את האימה או את התחושה המנותקת של הטראומה בצורה שצילום ריאליסטי או טקסט יבש אינם יכולים.
  3. גישור על פערי דורות: השפה החזותית לעתים נגישה יותר ומאיימת ופחות, מה שמאפשר "כניסה רכה" לנושאים הקשים ביותר.

 

כדי לאפשר הוראת נושאים טעונים כמו השואה באמצעות רומנים גרפיים על המורים לעבור הכשרה מתאימה. הטקסט הגרפי אינו דומה לספר לימוד רגיל והוא רב שכבתי ומורכב בפענוחו. בנוסף לכך, מורים בישראל שאינם עוברים הכשרה סבורים בטעות כי הרומנים הגרפיים מתאימים להוראה בגיל צעיר (כדי להרחיק מתמונות זוועה) ולא מתאימים למתבגרים. הכשרה מתאימה מאפשרת למורים להתמחות בהוראה לכל הגילים באמצעות טקסטים ויזואליים אלה.

 

זיכרון השואה בצל השבעה באוקטובר

אירועי השבעה באוקטובר 2023 הציבו אתגר חסר תקדים לזיכרון השואה בישראל. לראשונה מאז הקמת המדינה, נחשף הציבור הישראלי למראות בהיקף עצום ומרוכז של טבח ופרעות בתוך הבית, שעוררו אסוציאציות קולקטיביות ישירות לימי השואה.

במציאות החדשה הזו, להוראה הדיאלוגית ולרומנים הגרפיים יש תפקיד קריטי:

  • אפשרות לעיבוד הטראומה הנוכחית: הדיאלוג בכיתה מאפשר לתלמידים להבחין בין העבר להווה, תוך מתן לגיטימציה לכאב המשותף. זהו מרחב שבו ניתן לדון במושגים של "חוסר אונים" מול "גבורה", מבלי ליפול למלכודת של השוואות היסטוריות פשטניות.
  • החוסן שבסיפור: הרומנים הגרפיים, העוסקים לעיתים קרובות בהישרדות ובשיקום לאחר החורבן, משמשים כמודל של תקווה. הם עשויים להראות שגם מתוך השבר הגדול ביותר ניתן לצמוח, ליצור ולספר סיפור.

 

סיכום: העברת הלפיד

השילוב בין שיח פתוח ומכיל לבין מדיה ויזואלית עכשווית עשוי להפוך את זיכרון השואה מנושא שנלמד לבחינה, למצפן מוסרי. בייחוד כעת, כשהחברה הישראלית מתמודדת עם פצעים מדממים משלה, הכלים הללו מאפשרים לנו לזכור את העבר לא רק כדי להתאבל עליו, אלא כדי לשאוב ממנו את הכוח לבנות עתיד מוסרי ואיתן יותר. זיכרון השואה אינו סטטי; הוא דיאלוג מתמשך בין מה שהיה, לבין מי שאנחנו בוחרים להיות היום. האתגר הגדול הוא הפיכת הוראת השואה, בשלל אמצעים דיאלוגים כמו רומנים גרפיים, לנושא משותף לקהילות של יהודים וערבים, ציונים ופלשתינים ואוכלוסיות נוספות בחברה הישראלית, סביב הלקחים האוניברסליים של השואה.

 

29 במרץ 2026

The Sanctuary of Inquiry: Philosophy for/with Children in an Age of Uncertainty

 












By Arie Kizel

In an era defined by rapid technological shifts, climate instability, and the blurring lines between truth and misinformation, "uncertainty" has become the primary lens through which we view the future. For the younger generation, this volatility isn't just a news cycle; it is the environment in which they are forming their identities. While traditional education often prioritizes the delivery of "correct" answers to prepare children for a predictable world, the practice of Philosophy for/with Children (P4wC) offers an alternative. It is not merely an academic exercise but a vital survival kit for the 21st century.

P4wC: More Than Just "Thinking"

P4wC operates on a deceptively simple premise: children are natural philosophers. They possess an innate wonder and a persistent "why" that adults often trade for efficiency. However, P4wC is unique because it functions simultaneously as a pedagogical method and a philosophical stance.

As a method, it transforms the classroom into a "Community of Inquiry." Instead of a teacher lecturing at the front, the group sits in a circle. They start with a stimulus—a story, a picture, or a question—and collectively decide what puzzles them. The teacher acts not as the source of truth, but as a facilitator of the process.

As a philosophy, P4wC asserts that the process of thinking is more valuable than the conclusion. It shifts the goal from knowing that to knowing how—specifically, how to navigate the unknown.

The Four Pillars of Thinking

In a world of "alternative facts" and echo chambers, P4wC equips children four dimensions of thinking:

  1. Critical Thinking: Learning to demand evidence, identify fallacies, and analyze the logic of an argument.
  2. Creative Thinking: Finding new ways to look at problems and imagining "what if" scenarios.
  3. Caring Thinking: Valuing the perspectives of others and recognizing that behind every argument is a human being.
  4. Collaborative Thinking: Understanding that we are smarter together than we are alone.

 

A Shield Against Anxiety

The uniqueness of P4wC in our current age lies in its ability to normalize uncertainty. In a standard test, not knowing the answer is a failure. In a philosophical inquiry, "I don't know" is often the most honest and productive starting point.

By engaging in P4wC, children learn that while they cannot control the chaos of the world, they can control their intellectual and emotional response to it. This builds epistemic resilience. When a child realizes that big questions—like "What is justice?" or "How do we know what is real?"—don't have single, easy answers, they become less susceptible to the lure of radicalization or the paralysis of anxiety. They learn to sit comfortably with complexity.

The Democratic Impulse

Beyond the individual, P4wC serves a profound social function. At its heart, it is a rehearsal for democracy. In a time where public discourse has become increasingly polarized, P4wC teaches children to disagree without being disagreeable. It fosters the humility to admit when someone else’s argument is stronger than your own. By valuing the "Community of Inquiry" over the "Individual Expert," it reinforces the idea that truth is something we build together through dialogue.

Conclusion: Planting Seeds of Wisdom

We cannot predict what the world will look like in 2050, but we can be certain that it will require citizens who are intellectually flexible and ethically grounded. Philosophy for/with Children is unique because it doesn't try to fill a bucket; it seeks to light a fire. It treats children not as "adults-in-waiting," but as capable thinkers who have much to teach us about how to live in a world that refuses to stay still. In the face of uncertainty, the greatest gift we can give a child is not a map, but a compass—and the courage to use it.



21 במרץ 2026

Animals at Human Beings’ service or Men Coexisting with Animals

  

By Arie Kizel

Philosophy with Children, which centers on animals, can make a significant contribution to children's and adolescents’ understanding of the dilemma: are animals at the service of human beings (and therefore also provide them with entertainment), or can human beings live peacefully with or coexist with animals? This text aims to offer those involved in this area the key points, each of which, in one way or another, can serve as material for teachers and community moderators, or even be discussed within the community of philosophical inquiry with children and adolescents.  

A good start will be Patrick Curry[1], who defines Anthropocentrism as a discourse focused on human rights and needs, according to which human beings are granted unjust privileges, without any moral consideration to other life forms. Joseph Des Jardins[2] focuses the anthropocentric theme on an ethical/moral discourse on rights and obligations related to man's attitude towards the living environment surrounding him. Arne Naess[3] claims that for those with an anthropocentric approach, the right to life and prosperity is exclusive to human beings since, according to this approach, only men/women are capable of making moral judgments, and therefore only they have the right to enjoy morality.

Communities of philosophical inquiry can offer the strongest opposition to the anthropocentric approach: the animal rights movement. In this context, another important text is Peter Singer's book Animal Liberation: A New Ethics for Our Treatment of Animals[4] , in which Singer discusses the issue of applying the principle of equality between human beings to all Animals. He bases this recognition on equality as a moral principle. For Singer, the suffering of a living organism is essential, and thus, when a non-human suffers, there is no moral justification to ignore such suffering, as one should not ignore suffering caused to human beings.

Richard Ryder[5] was the first to introduce the term "Speciesism," and by tying it to the linguistic pattern of "Racism," he gave it social, political, and moral contexts. According to Ryder, prejudice stemming from a misconception of race and biological sex should be equally treated by human beings, and as you should not cause harm to innocents based on racial perceptions, it should not be done to animals based on perceptions of a genus.

Tom Regan[6] follows Singer’s footsteps. However, his assumptions about the moral status of animals differ. His philosophical arguments, which can facilitate community of inquiry discussions, seek to recognize the mental life of animals and their capacity for awareness and consciousness, thus opposing René Descartes's view that animals are soulless machines.

Are animals capable of thinking? Steven Best[7] differentiates "Animal Studies" from "Critical Animal Studies," claiming there are deep ties between animal oppression and exploitation to the oppression of different population groups; arguing superficiality to the existence of animals in the world, according to which they function as "others" who are incapable of thought in general and rational thought in particular.

A focal question during a community of philosophical inquiry can be "Why look at animals?"[8] which is discussed in John Berger's book About Observation[9]. Berger argues that in modern Western society, animals have become objects for human observation, while their perspectives are insignificant to humans. He analyzes zoos as a cultural phenomenon, claiming they are an animalistic illusion since the animals serve as images/representations of what they were or could be, were they not mere objects. Berger refers to the link between childhood and animals in modern capitalist Western society, arguing that the manufacture of toys as animal reproductions seeks to remove animals from space and to push for their rights from a human perspective.

Key questions that may be discussed in a community of philosophical inquiry relying on this literature, which deals with the representation of animals, can be:  What is the use we make of animals? Why are certain animals seen in a positive light while others are viewed in a negative light? Are zoos good for the animals or for the humans? What is the meaning of imprisoning animals, for them and for humans?  Are human beings obliged by morality in their actions towards animals?

In order to discuss these questions, it is necessary that those guiding the community of philosophical inquiry read materials similar to those suggested in this article and present some of them to children and adolescents, adapting them, of course, to the appropriate age group.

 

Bibliography

 Berger, J. (1980) About Looking. New York: Pantheon Book.

Best, S. (2009). “The rise of critical animal studies: Putting theory into action and animal liberation into higher education”. Journal of critical Studies, Volume 7, Issue 1, pp. 9 – 52.

Curry, P. (2011). Ecological Ethics: an Introduction. Cambridge: Polity Press.

Naess, A. (1989). Ecology, Community and Lifestyle: Outline of an Ecosophy. Cambridge: Cambridge University Press.

Regan, T. (1982). All That Dwell Therein: Animal Rights and Environmental Ethics. Berkeley, Los Angeles and London: University of California Press.

Regan, T. (1983).The Case for Animal Rights. Berkeley and Los Angeles, California: University of California Press.

Ryder, R. D. (1972). “Experiments on animals”. In S. Godlovitch,. R. Godlovitch& J. Harris (Eds.), Animals, Men and Morals: An Enquiry into the Maltreatment of Non-Humans (pp. 41-82). New York: Taplinger Publishing.

Ryder, R. D. (2000). Animal Revolution: Changing Attitudes towards Speciesism. New York: Berg.

Singer, P. (1975) Animal Liberation: A New Ethics for Our Treatment of Animals. New York: Harper Collins

 

 

Notes



[1] Curry, 2011

[2] Des Jardins, 1993

[3] Naess, 1989

[4] Singer, 1975

[5] Rider,1972; 2000

[6] Regan, 1982; 1983

[7] Best, 2009

[9] Berger, 1980

26 בנובמבר 2025

From Laboratory to Praxis – Communities of Philosophical Inquiry as a Model for Social Activism


By Arie Kizel

This text explores the relationship between communities of philosophical inquiry—central to the Philosophy for Children (P4C) movement—and the development of social activism.

Drawing upon Matthew Lipman’s foundational writings and contemporary perspectives, I will examine how the philosophical classroom can function not only as a space for thinking but also as a platform for cultivating dispositions, skills, and orientations necessary for democratic engagement and social change.

1. Introduction: Philosophy as Critical, Creative, and Caring Practice

Communities of philosophical inquiry were created to encourage children to think in ways that are critical, creative, and caring. Influenced by thinkers such as Matthew Lipman, the philosophical community engages children in questioning the ideas, beliefs, and values that shape social life. Philosophy, in this context, becomes both a critical practice—challenging what is taken for granted—and a creative one—opening possibilities beyond the dominant norms.

These communities operate as safe, trusting spaces where children can raise questions that matter to them, deliberate together, and experience different modes of decision-making. They also cultivate socio-philosophical sensitivity, enabling children to recognize assumptions embedded in daily life.

As the field expands, an important question arises: To what extent can P4C serve as a platform for social activism—both during childhood and into adulthood? This text focuses on that question.

2. The Philosophical Laboratory and its Temporal Dimensions

Lipman envisioned the philosophical community of inquiry as a kind of “philosophical laboratory,” a protected space in which learners test ideas, examine concepts, and practice inquiry. Yet this laboratory is not sealed off from the world. Rather, Lipman suggested that what happens within it has consequences for life beyond it.

According to Lipman, the classroom community of inquiry serves two temporal roles:

  1. In the present, it trains children in philosophical dispositions and activist competencies—critical questioning, relevance-seeking, meaning-making, and democratic engagement.
  2. In the future, it prepares students to carry these capacities into adulthood, influencing the wider social world.

Thus, the community of inquiry is simultaneously a model of activism in the present and a model for activism in the future.

3. Dissatisfaction, and the Relevance of Philosophy

We should add an important element to the contemporary discussion by arguing that philosophy today must be grounded not in abstract ideas but in lived reality. We propose that the three classical philosophical pillars—wonder, doubt, and commotion—must be joined by dissatisfaction, especially in social and political contexts marked by inequality.

This dissatisfaction is not trivial discontent but a philosophical orientation that pushes learners to question the status quo and imagine alternatives. As a result of such dissatisfaction, children begin to view themselves as capable of influencing their environment.

Thus, a central issue becomes whether P4C can help children understand themselves as agents of change and whether the philosophical laboratory can genuinely cultivate an activist stance.

4. Matthew Lipman’s Thought: Meaning-Making and Relevance as Action

Lipman's writings reveal a consistent belief that philosophy naturally aligns with activism. For him, philosophy emerges from children’s curiosity about the world, and therefore, the tools of philosophical inquiry are also tools for social engagement.

4.1 The dialectic of affirmation and criticism

In Lipman’s model, the community of inquiry fosters two positions simultaneously:

  • An affirmative stance that seeks to understand and articulate existing conditions.
  • A critical stance that challenges, questions, and reimagines these conditions.

This duality allows children to experience both belonging within society and the ability to think beyond it.

4.2 Meaning-making as action

For Lipman, meaning is not merely abstract. Meaning-making is a kind of action, an active involvement in interpreting one’s environment. Children seek meaning in learning, in experience, and in social contexts. When education ceases to be meaningful, students disengage.

Philosophical inquiry reinserts meaning into learning, and this meaning becomes a foundation for future action. It enables children to articulate problems, propose ideas, and understand relationships between self and society.

4.3 Inquiry as preparation for democratic life

Lipman believed that philosophical inquiry prepares children for participation in a democratic society. Through questioning, dialogue, and the search for reasons, children learn to exercise judgment, understand perspectives, and develop personal autonomy. These practices are themselves forms of proto-activism, making democratic engagement possible.

5. The Philosophical Community of Inquiry as a Training Ground for Activism

Lipman identified two goals for philosophical education:

  1. A social goal: preparing students to become members of a democratic society.
  2. A personal goal: enabling them to think for themselves.

Together, these goals create conditions for activism. Students learn to engage in conceptual creation, to make meaning collectively, and to question norms. The community of inquiry becomes an active space in which learners participate in making sense of their lives.

5.1 Agency and meaning-making

Drawing on Deleuze and Guattari, some scholars interpret philosophical activity as a practice of creating concepts, stimulating agency, and shaping relational spaces. Through philosophical dialogue, children learn that they can take part in meaning-making rather than merely receiving meaning from authority. This agency is at the heart of activism.

5.2 Purpose and direction

Philosophical discussions also allow children to gain a sense of purpose and direction. As they articulate aspirations and evaluate choices, they develop criteria for making decisions. Lipman emphasized that this process is essential for autonomy: students must become reasonable for their own good, not simply to satisfy societal expectations.

5.3 Relevance and the world beyond the classroom

Lipman insisted that education must show its relevance to the world. In the classroom, children first reflect on their own experiences, recognizing them as meaningful. Encountering peers with different experiences deepens understanding of diversity, otherness, and community. These encounters broaden the foundation upon which activism can be built.

5.4 The importance of limits

The philosophical laboratory also helps children explore not only what is possible but also what is difficult or impossible. Understanding limits develops empathy, listening skills, and awareness of social constraints—important components of activist thinking.

6. Activation of Social Awareness Through Philosophical Practice

Social awareness grows as learners ask questions rooted in their social contexts. In heterogeneous classrooms, where children come from diverse linguistic, ethnic, or cultural backgrounds, philosophical dialogue highlights multiple identities and broadens students’ understanding of others.

Lipman and Sharp emphasized that meaning emerges through context and connections. Understanding context enables students to engage in activist thinking, which Lipman described as involving:

  • Discovering alternatives
  • Discovering impartiality
  • Discovering consistency
  • Giving reasons
  • Achieving comprehensiveness
  • Understanding part–whole relationships

These elements form the structural basis for activist reasoning.

7. Three Models of Activism in the Community of Inquiry

Based on educational leadership theories, the article identifies three types of activism that can arise within philosophical communities of inquiry.

7.1 Establishment activism

This model draws on institutional leadership theory and focuses on improving organizations. In a school context, this might take form in student councils or committees that work to enhance the institution's mission. Establishment activism is not radical; it seeks to strengthen organizational coherence, justice, and performance.

7.2 Protest activism

This model originates in protest leadership theory. It emerges in response to structural constraints or injustices. Protest activism challenges cultures and systems that reproduce inequality. Within the philosophical community of inquiry, it relates to “enabling identities”—allowing marginalized voices to question dominant assumptions. It aligns with critical pedagogy’s critique of “banking education,” emphasizing creative and dialogical learning instead of passive reception.

7.3 Advocacy activism

Based on the advocacy leadership model, this form of activism recognizes the political nature of education. It resists inequitable reforms and seeks alternative policies. Advocacy activism engages with community members outside the school, fostering collaboration and emphasizing shared responsibility for social change. In this vision, students trained in philosophical inquiry can become future advocates who understand the school’s role within society and work collectively to improve it.

8. Philosophical Communities of Inquiry and the Structure of Activism

Research into youth activism traditionally focused on individual traits that predisposed certain people to activism. More recent approaches emphasize structural availability—the presence of social contexts that support engagement.

Philosophical communities of inquiry serve precisely this role. They establish structures—dialogue, questioning, contextual reasoning—that make activism intelligible and accessible. They function as communities in which young people can practice democratic habits, challenge norms, and develop a sense of agency.

9. The PEACE Project: A Contemporary Example of Praxis

The PEACE project—Philosophical Enquiry Advancing Cosmopolitan Engagement—illustrates how philosophical inquiry can be linked directly to activism. Designed to foster cosmopolitan understanding, it uses philosophical dialogue to challenge prejudice, overcome cultural barriers, and encourage democratic citizenship.

By emphasizing equality, diversity, and solidarity, the project aligns closely with Lipman’s belief that philosophical dialogue cultivates tolerance, conceptual thinking, and the ability to consider alternatives. Students who grow up practicing dialogue in this manner are better prepared to sustain intercultural engagement and contribute to social cohesion.

10. Conclusion

The philosophical community of inquiry acts as a bridge between the classroom and society at large. It trains young people in the skills and dispositions necessary for democratic life: critical, creative, and caring thinking; contextual understanding; recognition of otherness; and the courage to question.

Lipman’s ideas—meaning as action, relevance as examination of life, and influence as democratic practice—generate two circles of influence: one in the present, where activist skills are learned; and one in the future, where these skills can shape society. Thus, the philosophical laboratory becomes a place not only for thinking but for cultivating activists who can challenge organizational structures, resist unjust systems, or advocate for alternative social futures.

In this way, communities of philosophical inquiry contribute to the development of individuals capable of engaging in social activism of varied kinds—whether through constructive participation, protest, or advocacy. They offer young people a democratic practice of dialogue that makes social change not only imaginable but actionable.